Paul Cézanne, Camille Pissarro, and Claude Monet were close friends for many years. They belonged to the Société des Artistes Independents (Independent Artists Association), established in 1884 by painters who either had been rejected by society’s standard of what was considered good art or denied access to the official Salon, along with many other Impressionists.
These artists also had similar views on art: they believed that painters should draw their inspiration primarily from the French environment rather than imitating earlier masters and instead forge their own unique paths rather than just copying them.
Cézanne spent a great deal of time alongside Camille Pissarro when they were just starting as painters, and they kept in touch after they both became well-known.
In reality, Pissarro was able to purchase a home in Auvers-sur-Oise where he could work on his paintings nonstop throughout the day, owing to Claude Monet’s advice. The relationship between Camille Pissarro, Paul Cezanne, and Claude Monet and the shared things are discussed in more detail below.
Artists are destined to influence one another since they are friends and comrades. The same may be said of the collaboration of French Impressionist artists Pissarro, Claude Monet, and Paul Cézanne. These three Modern artists were close friends, and their friendship impacted how they each handled the world of painting.
Pissarro’s friendships with Cézanne and Monet had a significant impact on him. At the beginning of his career, there were only two artists he interacted with and considered colleagues.
Many of Pissarro’s acquaintances were also painters, although they belonged to a different generation. For example, in 1876, he met Cézanne; in 1883, he met Monet. He was a year older than Cézanne, although they were quite similar.
They both came from similar rural upbringings and initially pursued careers as stockbrokers before realizing their true callings as artists. After Painter Pissarro married Cézanne’s cousin Marie, their relationship remained unbroken.
In turn, Cézanne was affected by Pissarro’s illustration. After the two painters met, Cézanne started painting the countryside more often, and the following year, he created his first series of still lives.
Artist Pissarro remained committed to Impressionism, although Cézanne constituted a significant departure from it. Nevertheless, Cézanne had a significant impact on Pissarro’s landscape drawings. The two painters got along well, and Pissarro was among the first to realize Cézanne’s brilliance.
Landscapes by Cézanne differ significantly from Pissarro’s landscape. Cézanne didn’t care about the fleeting effects of light; instead, he intended to depict the world as it is. He focused on studying nature because he wanted to represent the observable world authentically.
While he painted what he observed, he also studied the works of past masters to understand their processes. As a result, Pissarro was much admired by Cézanne, who even imitated several of his paintings.
To go back to the sincerity and simplicity of nature, Cézanne sought to adhere to the precepts of the past masters. He labored slowly and meticulously to achieve excellence and repeatedly revised his works.
When French Impressionist artist Pissarro first encountered Paul Cézanne, he was already a well-known artist. Even though Cézanne was just 18 and had only recently started painting, he was a well-read scholar with a philosophical outlook on life. When they first met, Pissarro was already 40 years old and searching for a younger artist with whom he could talk about Impressionism.
Being a big fan of Cézanne, Pissarro was overjoyed when the artist wed his cousin, Marie. Following his encounter with Cézanne, Pissarro’s interest in the effects of light increased, and his work started to take on a more subdued tint. Additionally, he started painting the countryside more regularly.
Cézanne was deeply saddened by the death of Pissarro’s oldest son in 1901. However, Pissarro gave Cézanne one of his paintings as a token of his admiration and thanks.
All about painter Pissarro and his friendship with Monet
Monet had a radically different upbringing than Pissarro, who was only seven years older. He had a top-notch education and hailed from an affluent household. He constantly desired fame and had a high level of ambition. He was constantly looking for new chances and had a natural tendency to promote himself.
From the start, Monet was drawn to Impressionism, but he also desired to become more famous than the other movement members. He had a strong desire to be in charge and was quite ambitious. On the other side, Pissarro did not want to be in charge; instead, he wanted to be like Monet and become famous for his artwork.
He was a modest man who only wanted to paint and did not want to be the center of attention. However, being close friends, Monet’s ideas greatly affected Cézanne and Pissarro. They appreciated Monet’s art but were not interested in painting in his manner.
Pissarro and Cézanne had a keen interest in scientific theory and experimentation. They were open to new concepts and were willing to experiment. Therefore, they were ecstatic to see the first works created by Japanese artists.
Cézanne, Monet, and Pissarro were pals for a brief period before they all passed away in the same decade. The three painters had a lot in common: they were all members of the Société des Artistes, came from comparable regional origins, and worked as stockbrokers before realizing they were intended to be artists.
Camille Pissarro’s friendship with Paul Cézanne and Claude Monet was one of his life’s most important and influential relationships. These two great artists shaped Pissarro’s style and approach to painting and profoundly impacted the development of modern art.
The fact that they shared a similar approach to painting, and were interested in experimenting with new techniques, developed them into the artists that we celebrate today.